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I’ve rarely understood his appeal, but he communicates a depth of emotion here that I’ve never found in his solo songs. When the drum-and-bass rhythm comes in at 1:00, it’s an exhilarating rush. Martin Kavka: There’s a lot to hate about this: the first minute is filled with keyboard stabs that feel like Nazis goosestepping on your belly after a filling Passover meal, and at times the track seems to be too cluttered for its own good.
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